New York Concert Review, New York

Soprano Katia Paschou's New York debut recital showed her to be an exciting and versatile singer. She performed the "Alleluia" from Mozart's "Exultate Jubilate" with grace and ease. Her tone was rich and pure, her coloratura passages clean and clear. And she nailed the work's high C with ease. She later exhibited another side of her talent with the dramatic rendition of the second song from Ravel's "Chansons Madécasses". The song opens with a Madagascan native's cry of rage. Ms. Paschou's performance was worthy of a great Tosca. In fact. the sound of her voice at full throttle reminded me of another soprano, Maria Callas. During the middle of this song, Ms. Paschou used a completely different tone color to soflty express the protagonist's anger.



Estia Newspaper, Athens

“Warm, clear sound and absolute contact with the audience”